ellivo (Projects)

Relocating within the same building to one-and-a-half floors immediately presented the challenge of delivering something quite unlike what they had before. With a focus on user comfort and wellness, the new space has an abundance of greenery and alternative work and meeting spaces.

Connection between teams was also a change for the users; with many moving to an open plan for the first time. This increased visibility and collaboration within the office. With a mixture of offices and open plan spaces, we introduced private phone booths, lounges and collaboration spaces which provides more choice to the users. Staff have an abundance of space and separation between teams where needed thanks to careful planning early on in the design.

The café is the central meeting spot of the office – allowing all staff to come together in one lunch area to share, collaborate and contribute to the office culture. The outcome has created a new union between staff, and assisted in building on their identity while reinforcing their professional nature.

Photography by Katherine O'Malley

One of the most challenging briefs is to design for an ever-changing workforce, which will peak and decline in varying stages over the term of the lease. That was exactly what ARTC requested as Inland Rail are delivering thirteen rail projects across Australia over the next seven years. It was very rewarding to work with them and watch their staff move from a cramped and unworkable space to a custom-designed, 95% agile environment with a variety of flexible working environments.

Working within a Green star building, and with high servicing and density requirements, the layout needed to support collaborative, agile working. This was achieved by designing various different types of workspaces such as phone booths, quiet rooms and casual chat areas – as well as more conventional office desk areas including standing areas.

We were involved heavily with the team managers during the design phase, which has helped to enable a successful transition to the new space, and has encouraged new connections to form naturally within teams since the project’s completion. The company values are deeply embedded within the space and their sense of community informed the layout and the new way of working. The palettes throughout reference the many remote communities, the earth that they touch and the robust materials of rail within a Queensland context.

Photography by Mindi Cooke Photography

The new Caesarstone showroom sits next to the state-of-the-art warehouse facility in Yatala; and is designed for prospective clients to appreciate the look and feel of the Caesarstone product. With the changing light of day, and during the night, the space functions as a retail and event space. The focus is always on the product, and the quality of the light is all-important for showing the true colours and textures of the stone. Users can touch and feel large pieces of stone, collect samples and view slabs in the warehouse. The space also utilises touch-screen technology to allow clients to visualise the stone in their own projects.

The project was designed to be as flexible as possible, to enable Caesarstone to change their stone panels whenever they wanted to showcase new products. For this reason, the palette is crisp and simple – making the stone the hero of the spaces. The various Caesarstone finishes flow through into boardrooms, amenities & staff areas to reinforce the pride that the Caesarstone team have for their brand.

Photos by Rix Ryan Photography

Located between two streets - Simpsons Road and Rosewood Street, Holm makes the most of the steep site to provide amenable, self-contained residences with views down into the valley.

The townhouses vary between 3 and 4 bedrooms, and all have North-facing living spaces and balconies to take advantage of the site’s favourable aspect. The Simpsons Rd frontage comprises six townhouses; however, they present as three residential-scale homes complete with face brick fencing, articulated awnings and screens. In contrast, the townhouses fronting Rosewood Street follow a similar character to other residences in the street – recessed into to the side of the hill, they have front entries at the Rosewood St Level, and access their backyards from the first level above ground.

Located in the highly sought after area of Kangaroo Point, the development sets out to showcase the heritage significance of the existing residence, Thornclyffe.  The tower form curves around the house, and makes use of large screen elements to create a backdrop to the heritage setting. The screens help to produce an aesthetic quality that blurs the line between background and foreground, inspired by the Bokeh photography style.

The development comprises of the existing heritage house and 20 luxury apartments, including two sub penthouses and two penthouse apartments that feature spacious, private rooftop gardens. The location and design of the tower captures a range of outlooks, from the Brisbane CBD, to stretches of the Brisbane River.  Each apartment maximises its unique view with open-plan layouts and generous glazing.

The Ronald McDonald House charity provides a home away from home for seriously ill children and their families. In South Brisbane they have built a 10-storey complex adjacent the Mater Children’s Hospital, which is slowly being fitted out floor by floor as they get funding. Ellivo was commissioned to design the fitout for Level 9, which was destined to become a home for the families that need to stay longer.

The project consists of nine accommodation rooms – some with interconnecting doors to house larger families – as well as communal kitchen facilities and a dining area, a large fenced play area, and a private function room which can be booked for family functions.

The project received funding from various charities and fundraising efforts – among them, the annual Chain Reaction Challenge Foundation bike ride contributed a large amount. Two of the riders and fundraisers for this were Ellivians Mason and Jen, who rode 1000 km from Sydney to Brisbane in 2017.

Photographed by Mindi Cooke

Working alongside the Miele Architectural team in Germany, both the Perth and Adelaide Experience Centres were major refurbishment projects of existing fitouts. The joinery and finishes palette were designed to highlight the appliances, and lighting was carefully considered to enhance the visitors’ experience.

The spaces were designed to be free-flowing and flexible – allowing shoppers to see the different areas from various vantage points. A demonstration area is central to the design; where users have the opportunity to see the appliances in action for the creation of a full three-course dining experience.

Both spaces were pared back and carefully considered to organise how the display may change over time. Finishes were detailed to allow easy transition to new displays; with a focus on reducing landfill and disruption to the staff and users.

Photographed by David Sievers Photography

Situated on the second floor of the One50 Public House in Bundall, the new gaming and cocktail lounge offers patrons a sophisticated evening venue with views of the Gold Coast skyline. The client wanted to improve the experience of their gaming lounge and expand their entertainment options, so the existing gaming lounge was relocated to the upper level, and accompanied by a new cocktail lounge, private dining room and a bar and kitchen to service the new spaces.

Designed to cater for various events and audiences, the lounge offers various spaces that each have a different feel. Finely-detailed joinery elements divide the gaming and cocktail lounges; while each area has a variation on the fitout’s overall approach to lighting and finishes to create distinct spaces within the larger floor plan.  The cocktail lounge is complete with luxurious, plush velvet seating and dimmed lighting, inviting guests to relax and enjoy the quiet intimacy. The gaming area on the other side makes use of timber batten screens, dark coloured materials and full-height timber joinery to create smaller, quiet zones among the bright flashing lights.

Supporting both these spaces is the bar – the heart of the venue. The materiality and lighting here is distinct, warm and reflective with a copper counter top, timber batten detailing and shimmering splashback tiles.

The Whistle Dixie sits on the ground floor of Aurizon’s sleek 15-storey office building in the Fortitude Valley. In a playful nod to the building’s main occupant – Australia’s largest rail freight operator – we used trains as our departure point for inspiration. The main counter represents derailed carriages with train tracks hung above, a light box portraying the ‘X’ train stop sign is seen in the front window, and the floors feature recycled timber sleepers that have been recessed into the concrete. These touches are mixed with luxurious, high-quality finishes that help to create a space that can cater for patrons seamlessly from the early morning to the late evening.

The client wanted the space to be flexible in how it could be used through the day – they needed it to be light and open during the morning when the venue was a café, while also being a warm and intimate venue come nightfall. We achieved this with large, mobile, curved velvet lounges under high-level planting, subtle leather and brass touches, and full-length curtains that allow users to create smaller function spaces when needed.

The name ‘Whistle Dixie’ came from a Clint Eastwood movie, which injected some fun into the fitout - not just in name but also in touches throughout all the branding. This was a true reflection of the clients’ attitude, which we were able to highlight as we took them on an identity & branding journey. It was extremely important that the venue’s interior design and the Whistle Dixie brand worked seamlessly together. We worked closely with the client to create the logos, graphics, signage & stationery, which has given the restaurant a truly unique identity.

Photography by Mindy Cooke Photography