ellivo (Projects)

Working alongside the fitout contractor Apollo, and Q Coals leadership team, we set out to deliver a fresh environment for the growing QCoal team, over two floors. Drawing inspiration from the raw materials of mining, the palette was curated to include earthy and masculine tones to result in a space that is warm and inviting for both visitors and staff. Culturally the new space welcomes visitors from many nations, and encourages the Q Coal team to meet and collaborate every day. The empahsis was on providing suitable work areas which draw staff together.

The design was shaped by the client’s values and needs with a lot of importance on the space reflecting the permanence of the Queensland company. Central to the space planning was to include a large town hall where the staff can gather for team meetings and events. The outcome is uniquely Q Coal that will carry the client into the next decade.

Photography by Cieran Murphy

The process of planning and moving to our new home at 293 Queen Street, in the heritage-listed Custom Credit House, gave us a chance to pause, reflect and explore what was important to all the people who use our spaces – clients, visitors, staff members and friends alike.

In true Ellivo spirit, we knew that our space needed to have plenty of character and needed to support various activities from focused work to small and large meetings, as well as casual gatherings and more formal celebrations. The building itself informed the rhythm of the layout – breaking up different spaces, while still allowing them to be connected.

Moving to a new space allowed us to consider the changing office environment – we realised a need to create a flexible space which allows multiple people to work in different modes, and within separate areas. We identified the needs of the various users of our studio and tailored spaces to suit each of these. We created quieter meeting spaces away from work zones to allow for individual and small-group work, quiet phone seats, scrum areas for larger project team meetings and a long library and layout space along the central circulation spine – to inspire and foster team interaction. We also made sure that industry gatherings could be supported through the latest technology and design.

The Garden Bar is a great gathering space for us, as we embrace coming together again with each other and our community. We are excited to share our studio and watch as it grows over the coming years.

In years gone by families would take an outing to the airport in their Sunday best to see off a traveller, visit the viewing platform and see the swans swimming on the ponds at the airport. The viewing deck will now be home to Aspire Perth and offer their travellers an extension of their Western Australian experience.

The lounge focuses on the views to the tarmac with a variety of work and leisure spaces. Ambience and wellness flows through from the furnishings to the local food & beverage offerings. Indigenous artwork, local photography and a palette inspired by the landscape flows through the spaces that cater for all types of travellers.

Connectivity and flexibility is considered at all points throughout the lounge with the ultimate focus on ensuring the lounge is robust and adaptable to continue the Aspire reputation.

Ashford Residences is a master-planned residential enclave in Everton Park. The estate will comprise of a combination of attached and detached residences masterplanned to create a unique offering focusing on a owner occupier market.

In its current state, the site was used to house dairy livestock and has significant biodiversity and ecological overlays. These have influenced the masterplan design with a significant parcel of land to the south being dedicated as a landscaped wetland area which will bound the existing Kedron Brook reserve. The wetland will also act as an extension of the existing Kedron Brook Reserve, blurring the delineation between the waterway corridor and the site.

The existing Heritage-listed Murphy’s Dairy residence is located on the corner of Ashmore Street and the entry driveway into the development. This residence will form part of the “Entry Statement” into the development and may house uses such as a sales office. The integration of this dwelling into the development has been vital in respecting the sites previous life and defining a modern Queensland vernacular to continue throughout the development.

Monterey is nestled on one of the last remaining beachfront sites in Kirra Beach and was a rare opportunity to create something truly iconic.  With approximately 50m of sweeping north-facing beach frontage and panoramic views of the Pacific Ocean & Gold Coast coastline – there is no comparison.

With a tonal, textural palette of finishes, married with lush tropical landscaping, we wanted to blur the line between inside and out. We kept the hardscape natural, earthy, light, and crisp to let the colours of the landscape really pop. Strong horizontal banding, reminiscent of the layers of sand waves from tidal movement, exaggerate the curved edges to open each residence to the stunning views.

The result is 35 residences over 14 levels of smooth, fluid design aesthetic, inspired by the stunning natural landscapes that surround.

The coastal landscape of Coolum is characterised by eroded edges, where the ocean and tides have cut and formed the rocky landscape. The First Bay development, consisting of two interlinked buildings, evokes qualities of this varied landscape in its architecture - with solid concrete forms and soft edges referencing the rocky beach front. The material palette further grounds the building within the sloping context – using neutral-coloured stone and smooth concrete that will age gracefully and patina over time.

Consisting of 38 two- and three-bedroom units, split across two buildings, First Bay makes the most of coastal living. The buildings were designed as a curated string of experiences; each step in the journey fulfilling a need created by the location. There are showers and surfboard stores at the entry from David Low Way; and materials were selected to be hardwearing and tactile while lighting is minimal and thoughtfully-placed.

Carefully-planned internal spaces allow for cross ventilation and natural light, and prioritise the living spaces towards the breathtaking views in the East. The units address the demands and desires of an owner-occupier market, with generous living and storage spaces, and hardwearing yet luxurious-feeling material choices.

Working alongside the Miele Architectural team in Germany, both the Perth and Adelaide Experience Centres were major refurbishment projects of existing fitouts. The joinery and finishes palette were designed to highlight the appliances, and lighting was carefully considered to enhance the visitors’ experience.

The spaces were designed to be free-flowing and flexible – allowing shoppers to see the different areas from various vantage points. A demonstration area is central to the design; where users have the opportunity to see the appliances in action for the creation of a full three-course dining experience.

Both spaces were pared back and carefully considered to organise how the display may change over time. Finishes were detailed to allow easy transition to new displays; with a focus on reducing landfill and disruption to the staff and users.

Photographed by David Sievers Photography

Situated on the second floor of the One50 Public House in Bundall, the new gaming and cocktail lounge offers patrons a sophisticated evening venue with views of the Gold Coast skyline. The client wanted to improve the experience of their gaming lounge and expand their entertainment options, so the existing gaming lounge was relocated to the upper level, and accompanied by a new cocktail lounge, private dining room and a bar and kitchen to service the new spaces.

Designed to cater for various events and audiences, the lounge offers various spaces that each have a different feel. Finely-detailed joinery elements divide the gaming and cocktail lounges; while each area has a variation on the fitout’s overall approach to lighting and finishes to create distinct spaces within the larger floor plan.  The cocktail lounge is complete with luxurious, plush velvet seating and dimmed lighting, inviting guests to relax and enjoy the quiet intimacy. The gaming area on the other side makes use of timber batten screens, dark coloured materials and full-height timber joinery to create smaller, quiet zones among the bright flashing lights.

Supporting both these spaces is the bar – the heart of the venue. The materiality and lighting here is distinct, warm and reflective with a copper counter top, timber batten detailing and shimmering splashback tiles.

The Whistle Dixie sits on the ground floor of Aurizon’s sleek 15-storey office building in the Fortitude Valley. In a playful nod to the building’s main occupant – Australia’s largest rail freight operator – we used trains as our departure point for inspiration. The main counter represents derailed carriages with train tracks hung above, a light box portraying the ‘X’ train stop sign is seen in the front window, and the floors feature recycled timber sleepers that have been recessed into the concrete. These touches are mixed with luxurious, high-quality finishes that help to create a space that can cater for patrons seamlessly from the early morning to the late evening.

The client wanted the space to be flexible in how it could be used through the day – they needed it to be light and open during the morning when the venue was a café, while also being a warm and intimate venue come nightfall. We achieved this with large, mobile, curved velvet lounges under high-level planting, subtle leather and brass touches, and full-length curtains that allow users to create smaller function spaces when needed.

The name ‘Whistle Dixie’ came from a Clint Eastwood movie, which injected some fun into the fitout - not just in name but also in touches throughout all the branding. This was a true reflection of the clients’ attitude, which we were able to highlight as we took them on an identity & branding journey. It was extremely important that the venue’s interior design and the Whistle Dixie brand worked seamlessly together. We worked closely with the client to create the logos, graphics, signage & stationery, which has given the restaurant a truly unique identity.

Photography by Mindi Cooke