ellivo (Archive)

The design challenge – to create a new home for the B+W team of engineers – called us to explore and deliver on their expectations while making big changes to their way of working. Leading the way, the directors needed us to create a space for collaboration, transparency and open discussion.

In essence the spaces are all about conversation – breaking down all barriers to encourage new connections. The fabric of the building (structurally designed decades ago by the B+W team) has been opened up to act as the conversation starter with new clients. The columns have been revealed, the concrete slab exposed and the original structural soffit was made into a design feature. The fitout exposes the way the building was put together; acting as a reference to the company’s work, as well as adding visual interest to the spaces.

The space also needed to act as a home – for the business, for colleagues to get together, for clients, business connections and so on. The expressed industrial finishes of concrete, glass and steel have been balanced with luxurious soft furnishings and curtains to create a calm and welcoming environment. As a consequence, adjacent collaboration spaces are abuzz with meetings, coffees and lunches. As there was little built form to contend with, the large open breakout spaces have also allowed for staff gatherings to continue whilst still respecting social distancing requirements.

Watch as Tanya talks about our design journey with B+W here.

Photography by Mindi Cooke

Working alongside the Miele Architectural team in Germany, both the Perth and Adelaide Experience Centres were major refurbishment projects of existing fitouts. The joinery and finishes palette were designed to highlight the appliances, and lighting was carefully considered to enhance the visitors’ experience.

The spaces were designed to be free-flowing and flexible – allowing shoppers to see the different areas from various vantage points. A demonstration area is central to the design; where users have the opportunity to see the appliances in action for the creation of a full three-course dining experience.

Both spaces were pared back and carefully considered to organise how the display may change over time. Finishes were detailed to allow easy transition to new displays; with a focus on reducing landfill and disruption to the staff and users.

Photographed by David Sievers Photography

Located between two streets - Simpsons Road and Rosewood Street, Holm makes the most of the steep site to provide amenable, self-contained residences with views down into the valley.

The townhouses vary between 3 and 4 bedrooms, and all have North-facing living spaces and balconies to take advantage of the site’s favourable aspect. The Simpsons Rd frontage comprises six townhouses; however, they present as three residential-scale homes complete with face brick fencing, articulated awnings and screens. In contrast, the townhouses fronting Rosewood Street follow a similar character to other residences in the street – recessed into to the side of the hill, they have front entries at the Rosewood St Level, and access their backyards from the first level above ground.

Renders by Binyan Studios

One of the most challenging briefs is to design for an ever-changing workforce, which will peak and decline in varying stages over the term of the lease. That was exactly what ARTC requested as Inland Rail are delivering thirteen rail projects across Australia over the next seven years. It was very rewarding to work with them and watch their staff move from a cramped and unworkable space to a custom-designed, 95% agile environment with a variety of flexible working environments.

Working within a Green star building, and with high servicing and density requirements, the layout needed to support collaborative, agile working. This was achieved by designing various different types of workspaces such as phone booths, quiet rooms and casual chat areas – as well as more conventional office desk areas including standing areas.

We were involved heavily with the team managers during the design phase, which has helped to enable a successful transition to the new space, and has encouraged new connections to form naturally within teams since the project’s completion. The company values are deeply embedded within the space and their sense of community informed the layout and the new way of working. The palettes throughout reference the many remote communities, the earth that they touch and the robust materials of rail within a Queensland context.

Photography by Mindi Cooke Photography

Located in the highly sought after area of Kangaroo Point, the development sets out to showcase the heritage significance of the existing residence, Thornclyffe.  The tower form curves around the house, and makes use of large screen elements to create a backdrop to the heritage setting. The screens help to produce an aesthetic quality that blurs the line between background and foreground, inspired by the Bokeh photography style.

The development comprises of the existing heritage house and 20 luxury apartments, including two sub penthouses and two penthouse apartments that feature spacious, private rooftop gardens. The location and design of the tower captures a range of outlooks, from the Brisbane CBD, to stretches of the Brisbane River.  Each apartment maximises its unique view with open-plan layouts and generous glazing.

The Ronald McDonald House charity provides a home away from home for seriously ill children and their families. In South Brisbane they have built a 10-storey complex adjacent the Mater Children’s Hospital, which is slowly being fitted out floor by floor as they get funding. Ellivo was commissioned to design the fitout for Level 9, which was destined to become a home for the families that need to stay longer.

The project consists of nine accommodation rooms – some with interconnecting doors to house larger families – as well as communal kitchen facilities and a dining area, a large fenced play area, and a private function room which can be booked for family functions.

The project received funding from various charities and fundraising efforts – among them, the annual Chain Reaction Challenge Foundation bike ride contributed a large amount. Two of the riders and fundraisers for this were Ellivians Mason and Jen, who rode 1000 km from Sydney to Brisbane in 2017.

Photographed by Mindi Cooke

Situated on the second floor of the One50 Public House in Bundall, the new gaming and cocktail lounge offers patrons a sophisticated evening venue with views of the Gold Coast skyline. The client wanted to improve the experience of their gaming lounge and expand their entertainment options, so the existing gaming lounge was relocated to the upper level, and accompanied by a new cocktail lounge, private dining room and a bar and kitchen to service the new spaces.

Designed to cater for various events and audiences, the lounge offers various spaces that each have a different feel. Finely-detailed joinery elements divide the gaming and cocktail lounges; while each area has a variation on the fitout’s overall approach to lighting and finishes to create distinct spaces within the larger floor plan.  The cocktail lounge is complete with luxurious, plush velvet seating and dimmed lighting, inviting guests to relax and enjoy the quiet intimacy. The gaming area on the other side makes use of timber batten screens, dark coloured materials and full-height timber joinery to create smaller, quiet zones among the bright flashing lights.

Supporting both these spaces is the bar – the heart of the venue. The materiality and lighting here is distinct, warm and reflective with a copper counter top, timber batten detailing and shimmering splashback tiles.

The Whistle Dixie sits on the ground floor of Aurizon’s sleek 15-storey office building in the Fortitude Valley. In a playful nod to the building’s main occupant – Australia’s largest rail freight operator – we used trains as our departure point for inspiration. The main counter represents derailed carriages with train tracks hung above, a light box portraying the ‘X’ train stop sign is seen in the front window, and the floors feature recycled timber sleepers that have been recessed into the concrete. These touches are mixed with luxurious, high-quality finishes that help to create a space that can cater for patrons seamlessly from the early morning to the late evening.

The client wanted the space to be flexible in how it could be used through the day – they needed it to be light and open during the morning when the venue was a café, while also being a warm and intimate venue come nightfall. We achieved this with large, mobile, curved velvet lounges under high-level planting, subtle leather and brass touches, and full-length curtains that allow users to create smaller function spaces when needed.

The name ‘Whistle Dixie’ came from a Clint Eastwood movie, which injected some fun into the fitout - not just in name but also in touches throughout all the branding. This was a true reflection of the clients’ attitude, which we were able to highlight as we took them on an identity & branding journey. It was extremely important that the venue’s interior design and the Whistle Dixie brand worked seamlessly together. We worked closely with the client to create the logos, graphics, signage & stationery, which has given the restaurant a truly unique identity.

Photography by Mindi Cooke

The refurbishment of the Master Builders Queensland offices was a big step for the board, and a huge commitment to change. From the start, we were aware of the association’s heritage, and its importance to the building community.

We went on a journey with the Master Builders team where we explored who they were, how they wanted to be presented to the general community, and what mattered the most to them. This helped to identify the essence of the project for us – the few key things that needed to hold true through the whole fitout. These qualities included the following: heritage, craftsmanship, high- quality of workmanship, functionality, connection, and modesty.

This exploration led us to look at the history of Queensland builders – their craft, and the materials they work with. We created subtle touches through the fitout showcasing traditional materials in their raw form, to remind visitors of the origins of Master Builders. These little details helped to identify different spaces as you move through the building and help to create the sense of a journey – you go from timber through copper, steel and brass details as you get further into the building.

Another key concern that came out in early workshops with the clients was the connectivity between different teams in the office. The old layout consisted a segmented cluster of small rooms, which meant that space was being used inefficiently, and many of the staff felt disconnected from the rest of the office and from the members. We were able to combine spaces and win enough previously-wasted area to allow for centralised break-out spaces, small team meeting rooms and spaces for people to congregate casually away from their work desks. Most of the lower ground floor was repurposed as a refreshing lunch area with the feeling of an outdoor café, complete with extensive end-of-trip facilities.

Photography by Mindi Cooke

The building’s form seeks to be bold, minimalistic and timeless – designed to be efficient for both buildability and capacity.

Natural light and landscape is incorporated without comprising floor yield, to ensure a sense of calmness and tranquillity, supportive of the building’s Medical purpose. The building’s open corner addresses the main entry, with well-shaded balconies wrapping the upper floor, allowing for a private retreat for workers without disconnection from the ground plane. Double height atriums open both to sky and planters below seeking to breathe life into the building – trees are able to grow through atrium voids which are decorated with seating plinths at ground level.

The chosen material palette draws inspiration from the surrounding industrial context. It plays with a juxtaposition of textures through raw materials such as brick, concrete, steel and plywood.

We owe the success of the project to the strong support of our open-minded client and supportive builder, who worked with us seamlessly throughout the project to ensure the quality and vision of the project was upheld.

Photography by Scott Burrows

Our brief was therefore twofold, create a sleek commercial podium, and a multi-residential upper that responds to the transitionary nature of the site.

We drew upon early 20th century modernism as inspiration for the simple yet bold forms of the façade. Bands of concrete frame the showroom, which is softened by a double height curved glass façade that is grounded by a garden. The curved glass wall draws residents & visitors into the entry, giving back space and volume to the street and giving a sense of openness to the street.

A simple material pallet of concrete, glass, steel, metal cladding & vegetation create a balance between a commercial aesthetic podium and a human scale level of detail for the residential component above.

We used subtropical design fundamentals including vegetation, flow through ventilation, natural light & solar control to make sure we created a high-quality living environment for the residents & commercial tenants. This includes a communal recreation space on the roof with a pool and steam room to offer a meeting place for residents.

Being designers we were excited by the prospect of testing our approach to the end user by starting with our staff and clients and personifying their needs and mapping out their possible journey with us.  We soon realised that our clients and staff were all very different and this led us to create spaces that could adapt.

We created private spaces where meetings can be confidential, small meeting spaces and public spaces where people can connect. We wrapped all of these in a series of movable curtains that change the privacy and use of the spaces. We can cocoon spaces and make them private, we can adjust lighting and become more of an entertaining space. The uses are varied and practical to take us through the next five or ten years that we may be here.

Nero Apartments offers a high-quality living environment within the rapidly evolving Newstead neighbourhood. Located within close proximity to the newly developed and growing Gasometer retail precinct, the development benefits from an abundance of recreation and amenity options for its residents. Positioned amongst a multitude of high-density apartment buildings, Nero seeks to stand out from the crowd and strives to offer something a little different. Residents are offered concierge type facilities to welcome them home, as well as apartment technologies more akin to hotel accommodation.

Nero, meaning black in Italian, inspires the dark personality of the building’s overall expression and resulting material palette. The external form of the building creates a homogeneous façade that conceals the apartment balconies behind it. This is a direct response to the due west orientation of the apartments, balancing solar protection without limiting access to light and views.

Clad in black tile, aluminium cladding and screening, the development has a sleek and timeless appearance. The folded gold screening to the lower podium levels has many roles; it provides solar protection towards the west while folding open towards the north, it provides privacy up to the balustrade height, creates foreground interest where there are no views, and forms a sculptural contribution to the streetscape.

Photography by Scott Burrows

Their desire to demonstrate integrity and openness is embedded within their new home. From the moment you step inside the front door the client area is open and has views to Newstead beyond and the newly refurbished historical Gasometer. The combination of smoky glass, polished concrete, concrete, plywood and leather provides comfort and texture in the detailing and a most warm welcome.

Rainbow Bay is an evolving beachfront boulevard of Coolangatta. We partnered with our long-term client Aspect Property Group, to deliver a catalyst of exclusive living which reflects the unique assets of the site, in particular the direct proximity to Rainbow Bay beach. Our client sought to deliver to a niche of down-sizing owner-occupiers looking for a premium product. We focused on creating a timeless built form, minimising the amount of rendered surfaces was important in delivering a building that aims to look admirable long into the future.

Photographed by Andy MacPherson Studio

The site and client held three key criteria, design for flood immunity, design for ultimate privacy and design for openness and light. The contrasting requirements for achieving privacy in a light filled home formed the framework for the project. As each step up toward the house protects it from potential flood waters, the gardens that surround its entry step into the house. Our clients were our co-creators of this new home. Being retired empty nesters, this was a place not only for them to call home, but a retreat for their extended family and friends. With this in mind we focused on provided flexible living spaces, which could accommodate activated living and entertaining as well as private play and sleep out guest rooms.

Drawing inspiration from nearby natural attractions such as Mt Cootha, and taking cues from the values and attitudes of the local community of residents within The Gap, we partnered with Lantona group to create a unique development in the heart of The Gap with a focus on community and the natural surrounds.

Hive aims to create an idyllic lifestyle providing refuge and a sense of belonging as a retreat from the pressures of modern life. The homes seek to strike a balance between a sense of privacy and a sense of community, taking advantage of the leafy surrounds and native plant life.

The Providence Sales and Community Centre embodies the values of a vibrant new neighbourhood precinct located in the Ripley Valley. The Centre serves as a welcoming gateway, reflecting true community living while holding a strong connection to the landscape in which it is sited. Situated amongst vegetated nature reserves, the design seeks to connect and blur boundaries between the inside and outside, unlocking views across the adventure playground and mountain ranges beyond and balancing the requirement of an open accessible ‘pavilion’, while engaging with the landscape. The design is accessible, welcoming and familiar and enhances the existing features of the site for all visitors to share and enjoy.

Lorna Jane sought our guidance to update, professionalise and re-energise their brand through a number of fitouts Austalia wide.

Ellivo Architects carried the concept ideas through to construction to achieve a unique fitout which represented the “Active Living” ethos of the Lorna Jane
brand.

With steep tree-lined streets, colourfully renovated Queenslander houses, and boutique bars and restaurants, Rosalie is a compact, attractive pocket of Brisbane that is a well-kept secret of the locals. We were approached by the client to deliver an eye-catching office building for the under-stocked Rosalie Village Centre. Our response was to compliment the eccentric character of the Rosalie, providing workers and visitors with a unique commercial and cultural experience.

Petrie Terrace, wedged between the CBD, Milton and Paddington, is rapidly becoming a hot spot for after-work drinks, evening dining and weekend catch-ups from young professionals to inner-city workers. Growing tired of the existing ordinary hotel offerings, visitors seek a dynamic, elegant yet acquainted answer to their short-stay accommodation. We felt it only fitting to pay homage to the cultural background of Petrie Terrace. The articulated building form and selection of materials including white tiled archways and classic red brick, nod at Petrie Terrace’s industrial past and highlights the elegance of the surrounding heritage brick and stone buildings.

Newstead a suburb in transformation – converting from a warehouse district into a hip, inner city hub with no shortage of shopping, dining and nightlife options. With Brisbane CBD, New Farm’s James Street and Fortitude Valley just a short stroll away, the site is at the heart of the entertainment and lifestyle precinct. La Vida is an extension to this energetic community. Together with Bekaa group, we sought to deliver a sleek and contemporary expression of the suburb, providing residents with resort living amenities with a luxury touch with views to the edges of Brisbane. These large, open, spacious apartments are designed with luxury in mind while still being an entertainer’s dream.

Photographer: Scott Shirley

Rochedale is located within the middle ring of Brisbane and is known for its friendly community, rich farming history, relatively low density and abundant nature reserves. Its well connected locality has seen the suburb develop rapidly with new master planned estates. We partnered with Aveo Group to create a catalyst for a community’s wellness, fitness and connection. With resort style living a key component to the brief, it was hard not to have fun on this project. We studied the context, site opportunities and various building materials, to create a unique cultural feature of the area.

The Hyatt Coolum Visitor Centre for Lend Lease welcomes visitors with expansive walls of glass capturing views to Mount Coolum. The light filled open plan space caters for functions, openings and a permanent sales display with associated offices. Copper clad walls and an earthy patina to the subdued material and colour palette, settling the building into its golf course location. The floating roof is accentuated by effective lighting by night to give the appearance that the whole form floats lightly over the ponds beneath.

Vantage is located in the Royal Pines Gold Precinct known for its PGA Quality Golf Course and Carrara Stadium. Nestled between Southport and Nerang, residents enjoy the close proximity to major Gold Coast hot spots and major golf courses, while also having a peaceful buffer away from the hustle and bustle. Ellivo partnered with the Rayjon Property Group, to maximise the potential area’s nature assets and create a rich community for people to live in.

Photography by Andy Macpherson

Less than five kilometres from Brisbane CBD, Stones Corner is a well-connected inner south-eastern suburb of the city nestled between Greenslopes and Woolloongabba. With a strong history, this gazetted nook is growing as a cultural and lifestyle precinct. Being a major residential destination for Brisbane’s young professionals, Stones Corner residents seek a dynamic home which enhance the existing offerings of the area including its connections to Hanlon Park and Bikeway, and the active Stones Corner retail strip.

In Partnership with Lantona, the design of Oxy aims to be complementary to its context by using a material palette that is sympathetic to its surroundings, while providing a high level of private and social amenity. Materials such as weatherboard, timber palings and brickwork provide a sense of familiarly. The weatherboard façade pattern represents the roof form of the traditional Queensland Cottage – a nod to the historical vernacular.

Photographed by Andy MacPherson Studio

Jade is one of our most iconic and memorable projects. Everything about the project was exemplary. The vision for the project was to attract an international clientele who would be using these for permanent residences or for holidays. This understanding informed the project at every level, from the flow of the floor plan to the detailing of the understated but opulent finishes. The result is pure luxury but with genuinely Queensland sense of relaxed living.

Timeless architecture is difficult to achieve, but there is no doubt that this project still remains one of our most recognised and enduring projects.

Designing for the specific characteristics of a place and its people is a mantra in our studio. Enclave at is a great example of how an understanding of these elements can make a great place. Our client recognised the limited offerings for medium density options in the Wynnum Manly area. Our brief was born out of the area, its residents and the characteristics that define bayside living. Three buildings offer three types of living, from townhomes to generous apartments. The key elements of the design are views, bay breezes, and a level of accommodation that appeals to owner occupiers. It also has to “fit“ in the local area. The materials and scale were driven by the desire to embrace and reflect the scale and feel of the neighbourhood. The central timber boardwalk reflects the nearby mangrove boardwalks. But the most important ingredient is to create the spaces that reinforce community. This is not a gated community, it provides security but contributes to the streetscape and provides great communal spaces for the owners.

What is the appropriate response when designing a contemporary family home in a sensitive and historical setting? Minimal and raw yet textured and welcoming, the Paddington Residence is an exploration of space and materials for a rigorously contemporary family home in a historical setting. Beyond simply satisfying the client’s spatial requirements, the design explores how to create layered spaces with edges that offer privacy and flexibility.

The challenge within this brief was to deliver their spatial requirements on a small 400 square metre site with heritage neighbours, a very steep slope and ensuring protection of the significant tree. The design response has been to imagine the home as a procession of 5 distinct spaces, each with their own function, transitioning from the historic Moreton Bay Fig Tree to the west and the views to the city to the east.